Silence is sacred.
She is a ready patience, waiting for the opportunity to be allowed in; She is healing that permeates every clogged, porous cell, stamped dark with the noise of fruitlessness; She is cooling breath on the back of a hot neck, pulsing with angry blood, emotional blood which runs through the brain and into impetuousness. She acts like a cool rag, dampening the heat, healing the visceral wound. She settles over you like calm, blots away impurities like peace. She is sacred. She is ignored.
Though she vies for entry into the collective mind, it buzzes too loudly to sense her outside. It plays its music over the loud speakers in an attempt to numb the perpetual turnings of the sharp cogs, rusted and wretched for revolving too hard and too fast for too long.
She waits, still, outside of bookstores when even the monologue of a well-written page isn’t loud enough to overcome the music. She waits, where grocery carts and milk cartons need distracting from: music is the new silent. She waits, replaced, as desperately churning brains pump music in, trying to focus harder, trying to focus better, while she wishes so fervently that they would know she could do better. She would do better than the noise.
For those that sit, for those that find her in her readiness, they find her inextricable other face. They find that they can listen, that they hear themselves clearer than they ever have, and that they are smarter and more creative than they thought. She reminds them that they are worth listening to, as are the people around them. She reminds them that they don’t need to be afraid of her, for she is not ominous. Silence is accompanied by many noises which make up the panoply of life.
While one shuts off her own voice long enough to listen to the crooning of the world, Silence delights in her tearful acknowledgement of Nature’s music. Silence watches her breathe deeper and steadier, and to the girl, all worldly noises seem louder, seem unnecessary after their brief, but poignant encounter. It is sacred; it is claimed and protected; it is not to be brutalized.
Those that commune with Silence find the world raucous and disrespectful. To find one’s voice so pleasing that it can’t cease is an egregious crime. To find music so necessary to comfort in a quiet room is an expression of fear.
Silence does not blame the wounded for being fearful of the quiet, but she does wish them to give it a try and rediscover their own genius in the stillness.