I’m a writer, mostly. But, I grew up with a pen in my hand, crayons in my mouth, markers holding up my pony tail. I grew up, curious, touching cheap canvas, smelling paints as my dad set out his oils, desperately trying to get pictures from my brain into reality. I draw, I paint, and I love to leave the mark of my mind on things that will outlast it.
I was painting yesterday, and this wonderful thing happened where, in the silent of the house, fingers gripped to brush, swirling colors together like an art-alchemist, my mind hit the smooth pavement of its thoughts and cruised. It felt dangerously free. It felt inclined to remind me of everything I wasn’t really wanting to think on at the moment. But, at times, it simply was. I simply was, and my fingers did the talking.
It’s great to paint with cheap acrylics because there’s almost no such thing as a permanent mistake. I drew a quick sketch with an art pen, mixed my colors and slathered on the first layer. The freedom that comes with that sloppy strokes, covering ground recklessly, is knowing that the first stroke is nothing but foundation, nothing but a primer to cling to the better stuff to come.
As I progressed, I adjusted. I saw that things weren’t quite right, and I went darker, deeper, thinner, fatter, clearer, more detailed. Sometimes my shaking fingers didn’t quite get the curve right, didn’t quite capture the precision I was going for, so I let it dry and tried again.
With painting, there’s no pressure. You experiment until it feels right. I wonder why it’s so much harder to accept this in other disciplines and in life in general. With writing, we think it must be perfect on the first draft. I’m a bad writer if I make that mistake, if I can’t quite portray what I mean to.
But writing, like painting, is made for second chances, second drafts, and second opinions. It’s made for fresh eyes and readjusting.
Don’t let the mistakes get the best of you. Just adjust and try again.